Teen vogue what its like to be gay in morocco
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Wonderful production values, engaging hosts, and some good info. Comes across as elitist more than I would like but that could just be the Hollywood/LA attitude showing itself. The hosts are sincere in their desire to report and entertain and execute it well. A wonderful listen for fat male lover guys and those who adore them.
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Taïa says he understood that he needed to become smarter than the nature that surrounded him, and he started to lie and to manipulate others in order to get by. Cinema always helped him, specifically Egyptian film.
According to Taïa, there is an underground gay community in Morocco, even one that is not so discreet. It is learning how to “play with society” that determines whether or not you can fetch away with bei. Youssef*, a 26-year-old man from Agadir, Morocco, who considers himself progressive after completing his knowledge in Paris, joint his perception of the treatment of the gay people in his house country. He described a downtown scene in Marrakech, where gay men whom he says are prostitutes come out at night. But in his smaller, coastal town of Agadir, Youssef says, “You won’t notice gay people in the streets…. For me, the worst part of that is that queer people can’t survive safely in Morocco — definitely they can’t.”
And even though Youssef represents a younger, more open-minded generation of Morocco, Taïa still wouldn’t advise a juvenile gay man to come out in a country where homosexuality is still considered a crime. He describes his own experience of coming out as dangerou
Regardless of the characters' feelings, or Joris-Peyrafitte's aims, he is aware that As You Are's violent endpoint places it squarely in a legacy of LGBT film history that has often punished its characters. "How it fits into the larger conversation about that, I don't really have a great retort for it," Joris-Peyrafitte said. "Because it's true that there's this weird trope that started emerging, and I feel pretty uncomfortable with it. I genuinely don't think that that's what this movie is doing, because a part of where that comes from is judgment, and a part of where that comes from is labeling. And that's the opposite of what we wanted to do. This isn't a story about a kid who's homosexual who kills someone who isn't. Or a kid who's straight who kills someone who's gay. Or a kid who kills himself. It's about care for and friendship and existence pushed to a place where you don't understand what to do."
Joris-Peyrafitte would also prefer not existence labeled himself. "I hope I could own, and call myself, queer — in a way of just not aligning myself in any way," he said. "But I also think that's not my right to a certain degree, because I'm a man who has relationships with women. And I haven't gone
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